Connect with us

TV News

What Went Wrong With Lost?

Published

on

Lost cast image
Bad Robot

Lost was one of the most popular TV shows of the early 2000’s, garnering hundreds of thousands of fans. But 10 years after that soul-destroying finale first aired, we explore what led to Lost’s downfall. What went wrong with Lost?

If there’s one good thing to come out of the epic disappointment that was Game of Thrones’ finale, it’s that it helped people forget about how bad Lost’s ending was. And in case you have forgotten, let me remind you: it was really bad.

Here’s the lowdown on why Lost was so disappointing:

WARNING: The next section contains spoilers

Writers were convinced to make double the amount of seasons

Lindelof and the team were talking about Lost’s endpoint as early as the pilot. In fact, their original wish was to end it after just three seasons.

But due to its success at the time, ABC didn’t want to wrap it up. Like many networks with popular shows, they wanted to flog that cash horse for all it was worth.

Their suggestion was to string it out for 10 seasons, but eventually reached a compromise with writers and settled on six.

The problem with this is that you can’t force magic. Nor can you make something work when the writers and the network are going in opposite directions.

If you have the material for three seasons, then doubling what’s required will leave you with a hell of a lot ‘filling’ to do. And that’s kind of what happened with Lost. The flashbacks. The insane storylines. It all kind of dragged on and on with no real resolution in sight.

Which leads me to another major issue…

Lost’s ending was planned from at least Series 3

One of the first rules of writing stories: always plan out your beginning, middle, and end. It’s the mantra that most (if not all) writers live by.

But imagine you have the framework of a story all planned out, only for someone with a completely different agenda to force you into doubling your content. You’re either gonna fill space with a load of garbage, or your story is going to veer so far from your original plans that the ending no longer works.

Oh hey, that’s exactly what happened with Lost…

Writers had already planned the purgatory-style ending from the start. Although I thought the ending sucked, it would have sucked less had they not been persuaded/coerced/forced into changing their original plans.

The writers added so many fantastical and incredulous storylines. Once the ending was finally revealed, it all felt like one huge tease. Some fat cat network exec was sitting on a plush leather recliner somewhere when that finale aired, laughing maniacally whilst counting wads of cash that could only be outnumbered by fans’ tears.

Writers broke two of the cardinal rules of story writing

So they deviated from their original plan: no-no #1. But that’s not the only reason why the ending was an insanely huge flop.

I remember when I was in primary school learning about how to write good stories. We were told never to end a story with “it was all just a dream” or “and then everyone died”. So Abrams and Lindelof basically broke the rule of storytelling that you learn when you’re seven years old. Way-to-go chumps.

You see, those “rules” are there for a reason – as Lost proved. Stories that end that way leave people feeling disappointed and cheated. And if you didn’t feel like that after watching the finale of Lost, you’re probably one of those nutters who also enjoyed the ending of Game of Thrones.

But that’s not the only reason those kinds of endings are terrible…

Questions were left unanswered

Lost’s mystery and intrigue was one of its biggest draws for viewers. But although we all enjoy this to a point, we still want to see a satisfactory resolution eventually. We want answers to our questions, and to wrap up a series with no uncertainties.

This was far from the case with Lost and part of what went wrong.

What was “the sickness”? What was the deal with Walt? Why was Libby in the mental hospital with Hurley? Were “the numbers” actually just pointless? If anyone’s managed to figure these out, answers on a postcard please.

Sometimes, an unresolved bit of mystery can be a real talking point. Think about Inception. What a mind-blowing end to a film. But even though it left a question unanswered, there were only two possibilities: the camera cut off early, or he was still in a dream. It was the perfect cliffhanger, leaving audiences to muse over the answer for years to come.

But with Lost, there were so many cliffhangers, it’s a wonder there was a cliff left to hang them from.

Overview

As is always the case with popular TV series, the rumour mill is constantly swirling with whispers of a reboot/remake. I’d sure as hell love to see one – but only if it answered all the questions we were left scratching our heads over 10 years ago.

Problem is: I don’t think there are any answers. I think the writers got way in over their heads trying to satisfy both their audience and the network and ended up in a rabbit warren with no means of escape.

Yes, Lost had all the makings of an amazing TV series. Great writers. Fantastic cast. Gripping plot. But they sold their souls for those dollar signs and wound up with an ending that blew more than Vesuvius on steroids, that’s what went wrong with Lost.


What did you think went wrong with Lost? Did you love or hate Lost’s ending? Let us know your thoughts below..


Check out more of our TV articles HERE.

Read about IMDB information on Lost HERE.

Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

TV News

10 Years Of Game Of Thrones

Published

on

Game of Thrones Emilia Clark image
HBO

Since it first aired on 17 April 2011, Game of Thrones has captured the imagination of many fans from start to finish. But, after the lacklustre and rushed ending of this epic fantasy series in 2019, we find ourselves wondering: has its legacy been completely ruined? After 10 years is it worth looking again at the legacy of Game of Thrones? After all, like the fallen Ned Stark once said: “some old wounds never truly heal, and bleed again at the slightest word”.

Have Game of Thrones fan’s been hit too hard by the hurried and unjust ending? Are there storylines and characters within the eight seasons that make up for the less than favourable ending?

After looking back through the seasons, below are what we think are some of the best and most redeeming moments and characters within the series. These could be the reason why fans stay loyal to Game of Thrones and even get excited about future prequels or sequels. We already have next year’s Game of Thrones – House of Dragons series to expect.

WARNING: Only read on if you have watched the entire series as there are spoilers.

Sansa Stark becomes Queen of the North

We ended the series with Winterfell once again being led by a member of the House of Stark. Queen Sansa Stark (Sophie Turner), who regained The North as an independent Kingdom. This decision from the writers is easily the most satisfying conclusion to come out of the finale. And easily one of the best beginning to end character arcs in all Game of Thrones.

Starting out as quite an unfavourable character and the least liked Stark of the pack, mainly due to her spoiled and brattish behaviour. Sansa ended up being the character we were all rooting for. Especially when it came to regaining the north and standing her ground with Daenerys Targaryen – “What about the North”.

But it wasn’t an easy road for her to get to that point. She had to endure a lot of horrific scenes, storylines, and marriages which shaped her character from a little bird to a Queen. But as Sansa said herself, whilst talking to The Hound/Sandor Clegane (Rory McCann), “Without Little Finger and Ramsey and the rest I would have stayed a little bird all my life”. We’re glad she didn’t stay a little bird and became the Queen the North.

Arya Stark kills the Night King

When it came to the death of the Night King there were only a handful of characters who could do the deed. But, if you were anything like us, we had our money firmly on Jon Snow (Kit Harington). But, it was his kick-ass little sister, Arya Stark (Masie Williams), that ended the long night. With a fatal blow to the Night King’s heart with her Valyrian Steel Dagger.


In this episode, there was hardly any dialogue, especially in the last 30 minutes, which made the whole cinematography of the final scenes so much more poignant. From the camera angles to the incredible score which was accompanied only by sound effects and the odd fighting shout of pain. It left us in suspense and just as we thought all hope was lost, as the Night King approached Bran Stark (Isaac Hempstead Wright) and fans started to believe that Game of Thrones was going to take another huge twist, winter was here to stay. Out came our hero from the dark, the epic shot where Arya was flying through the air will always be one of our all-time favourites.

The night before winter came

Another part of the final series that I think deserves some props, was episode two (mainly the last 30ish minutes). This episode was the calm before the storm. But it was also very well done, from this point, as a viewer we didn’t really know who was going to survive and who was going to die. Something that we were never sure with when watching Game of Thrones.

We managed to get some nice send-off scenes for most of the characters which kept the suspense alive. We saw Sansa and Theon Greyjoy (Alfie Allen) meet again, Arya and Gendry (Joe Dempsie) finally ‘get together’ but most notably there was a comical and heart-warming meeting by the fire with Tyrion Lannister (Peter Dinklage), Jamie Lannister (Nikolaj Coster-Waldau), Brienne of Tarth (Gwendolin Christie), Tormund Giantsbane (Kristofer Hivju), Davos Seaworth (Liam Cunningham) and Podrick Payne (Daniel Portman).

There were jokes, Brienne got knighted and we even got a song from Podrick. Which was made into a satisfying montage for other characters around Winterfell as well.

Arya Stark and the house of Frey

The demise of the House of Frey was indeed a good and a well-justified one. Positioned over the last episode of season six and the first episode of season seven. Arya Stark used her new newly found face-swapping abilities to first bamboozle Walder Frey (David Bradley) into eating a pie. Food made from his sons and then again to become Frey to poison the rest of the house.

This was the revenge we wanted for the fallen Starks of The Red Wedding and Arya was just the person to serve it! Because the revenge plot was separated between the two seasons it almost confused us fans. When we started to watch season seven and saw that Walder Fray was still alive the quick-minded ones of us straight away realised what was happening. Yet, there was a handful of us who looked just as confused at Frey’s wife/daughter who was standing next to him. That was until Arya took Walder Frey’s face off.

Cersei Lannister blows up the Sept of Baelor

Another example where the series utilises an amazing music score is in the last episode of season 10. Cersei Lannister (Lena Headey) finally goes all out with her vindictive evilness and blows up the Sept of Baelor. With her daughter in law Margaery Tyrell (Natalie Dormer), The High Sparrow (Jonathan Pryce) and a host of other people she didn’t like, locked inside.

The whole scene lasts about eight minutes and also includes Lancel Lannister (Eugene Simon), having his tendons slit by one of Lord Varys’s (Conleth Hill) little birds, so he couldn’t stop the destruction which was about to happen. There was also the violent demise of Pycelle (Julian Glover), once again by Lord Varys’s little birds. Which was orchestrated by the crafty Qyburn (Anton Lesser).

Whilst this is happening a very smug Cersei watches over the chaos, with a glass of red. But, one thing Cersei didn’t account for was after the acknowledgement of his new bride’s murder, her son, King Tommen (Dean-Charles Chapman) walked himself out of the window to his death.

Battle of the B**tards

Most of the battle scenes in Game of Thrones are pretty epic, but The Battle of the B**tards was by far one of the best. Accompanied by a killer soundtrack and great sound effects this battle was both jaw-dropping and breathtaking.

From the moment Rickon Stark (Art Parkinson) was killed by Ramsey Bolton (Iwan Rheon) to the moment Sansa sets Bolton’s dogs on him, there was action scene after action scene that captivated all of us and also gave us the Winterfell redemption story we needed. The death of Ramsey Bolton was also the most satisfying death since that of King Joffrey Baratheon (Jack Gleeson).

In this section of high intercity scenes, we get to see Little Finger/ Lord Peter Baelish (Aidan Gillen) do something useful for once by bringing the Vale Knights of House Arryn to save Jon Snow from dying… for a second time.

Daenerys Targaryen and the unsullied

Daenerys Targaryen (Emilia Clarke) was a fan favourite from her first scene. But the admiration for her character grew and grew throughout the seasons. One of the most defining moments was when she visits Astapor on the search for an army to aid her in reclaiming the throne.

After meeting the hostile and pig-headed Kraznys mo Nakloz (Dan Hildebrand), Master of Astapor, Slaver and Unsullied overseer, who taunts Daenerys, believing she didn’t know how to speak Valyrian, he agrees to sell her all 8,000 Unsullied members for one of her dragons.

As most of their communications were through his servant Missandei (Nathalie Emmanuel) he believed Daenerys didn’t hear all the things he was saying. Which made the end scene so much more satisfying. Once the exchange is done, she has the Unsullied whip in hand and Krazny is trying to hold on to the dragon on a chain. She speaks to the Unsullied in clear Valyrian and finally tells Krazny who she is – Daenerys Stormborn of the House Targaryen the blood of old Valyrian.

The moment she tells the Unsullied to slay the masters and uttered the word Dracarys, will forever be the day when we truly started to see how badass she really is!

The red wedding

As horrendous as it is to watch it’s clear that the Red Wedding is still a highlight of season three and indeed the series.

Yes, we already knew by now that anything could happen in Game of Thrones. And blood and gore was a regular occurrence. But this scene took things to a new level with a blood bath no one saw coming… Not even King of the North Rob Stark.

This heart-stopping 10 minutes of cushion grabbing TV, not only saw the death of two of the most loved Starks Rob and Catelyn Stark but also the death of Rob’s wife and unborn child. As well as the betrayal of Roose Bolton a supposed friend of the Starks (Michael McElhatton) and the house of Frey.

This scene cemented for us that no one can predict what is going to happen when you play the Game of Thrones. You win or You Die, there is no middle ground.

The two most sassy characters

When it comes to Game of Thrones, I think we can all agree that the one thing they got right, time and time again was the casting. And this never rang truer than with Lyanna Mormont (Bella Ramsey) and Olenna Tyrell (Diana Rigg). They didn’t have the biggest parts within the series, but boy, did they make their presence known. It got to the point where we were just waiting for their scenes to see what would come out of their mouths next.

Lyanna Mormont

Who’s the most impressive pre-teen in the whole of Westeros? That’s right Lyanna Mormont. Even at 10 years old I wouldn’t mess with her. Through the whole three seasons she was in, she demanded and captivated the audience. She said it how it was, and she wasn’t scared of a single thing. She came in like a warrior, back chatting Jon Snow and Sansa and acting like a total boss. Finally, she went out like a warrior taking a giant walker down with her.

Olenna Tyrell

The original, potty-mouthed grandmother Olenna Tyrell had line after line of roasting stingers. No one was safe from her sharp-tongued antics. But the one person that was firmly on her radar was Cersei Lannister. Especially after Cersei killed her family in the sept. In true Olenna style, even after she had been fatally poisoned, she still had the last word, admitting to Jamie Lannister that it was her that killed his and Cersei’s son, King Joffrey Baratheon.


There you have it, some of our favourites and redeeming scenes from Game of Thrones after 10 years, what do you think? What are your favourite scenes or storylines? Let us know in the comments below.


Check out our seven lost plot threads from Game of Thrones HERE.

Read iMDB information on Game of Thrones HERE.

Continue Reading

Trending