Five years ago, the highly anticipated Suicide Squad graced theatres… and promptly disappointed. Today, the sequel simply titled The Suicide Squad has come to set the record straight. The two films have been received incredibly differently, with the original being met with ridicule and the sequel with praise. While both films try to do essentially the same thing, James Gunn’s direction of The Suicide Squad captures the true essence in the comics better than any other DCEU film. Let’s jump into some of the differences in our review of The Suicide Squad.
SPOILERS: Warning there are spoilers ahead.
The biggest difference between the two is the overall tone of the films. It’s clear from early promotional material that 2016’s Suicide Squad was meant to have a much darker tone. Following suit with DCEU films of the time, it was going to be much more macabre. But when comedic promotional material was met with high anticipation, the film took a turn. The result is a film that was meant to have a dark undertone becoming a feature-length trailer with half-formed comedy.
The Suicide Squad of 2021 leaned right into the comedy from the get-go. Snagging an R rating as opposed to the original’s PG-13. This allows the film to lean into gore and language the best befits the characters. So while the film is funny, it is dark in the subject matter. Furthermore, the film leans into the ridiculousness of the comics. Pivotal characters include the goofy Polka-Dot Man and King Shark, with some characters like Calendar Man being background Easter Eggs. The big bad is a giant extra-terrestrial starfish. Rather than try to ground these characters, the film embraces their goofiness and accepts them as part of the universe. Whereas the 2016 version would have tried to make these characters realistic and dark.
The 2021 version has a less self-aware Deadpool tone. It’s gory but it isn’t crude. It’s violent but it’s also ridiculous. It captures the fun that the 2016 version failed to.
No doubt the breakout character of both of these films is Margot Robbie’s Harley Quinn. Arguably the only good part of the 2016 version. But these films in conjunction with Cathy Yan’s Birds of Prey gives her an incredible arc.
In the 2016 Suicide Squad she is hyper-sexualized and dependent on the Joker. Her outfit is impractical and designed to show off her body. She is entirely defined by her relationship with the Joker. Portrayed as pining and insane with love, and is incapable of existing without him.
Birds of Prey did some amazing leg work for her character. It can even be argued that the film, which received unfair criticism, paved the way for The Suicide Squad. The other R-Rated DCEU film, it shows a post-breakup Harley. It gives her an opportunity to grow outside of him and come into her own as a unique and dynamic character.
And in The Suicide Squad, she is wholly independent. She’s not hyper-sexualized. She’s wearing comfortable shoes rather than stiletto heels and is completely independently capable. We watch her develop relationships with other characters and stand on her own. She even kills a romantic interest when he starts to show red flags.
Harley Quinn is the heart of these movies and is maybe the most important character in them. She might even have the best arc in the entire DCEU. Making her a whole character, rather than sexual eye candy, already elevates The Suicide Squad several notches over the original.
The centre of both these films is the found family aspect of the squad. But the original doesn’t earn its payoff. El Diablo makes a statement about “not wanting to lose another family,” and sacrifices himself to save the squad. But that statement feels empty. It’s hard to believe that the other squad even likes each other, let alone views the other as family. The film spends no time building those relationships and throws these characters from set piece to set-piece.
But in The Suicide Squad, we spend time with these characters. We watch them develop friendships through good dialogue and story beats. These characters and their motivations are clear, and the interactions they have with each other are intentional. Not once in The Suicide Squad is the word family mentioned. These characters don’t need to outrightly
state their family; we can tell just by looking at them. Where Suicide Squad was on the nose about everything, The Suicide Squad is much more nuanced. It does the work to get to its more emotional story beats.
Sequel or reboot?
Some people have taken to calling the 2021 Suicide Squad a reboot of the first, rather than a sequel. And they might be right. It’s a deliberate decision to call the film The Suicide Squad rather than Suicide Squad Two, and almost every original character did not return. There’s only four that make it to both films. Viola Davis’Amanda Waller, the mastermind behind the suicide squad. (And Davis is good in everything). Of course, Margot Robbie’s Harley Quinn. Joel Kinnaman’s Rick Flag. And Jai Courtney as Captain Boomerang. Who is subsequently killed off in the first ten minutes of the film alongside every character we’re led to believe is this movie’s suicide squad. A shocking and fun action sequence that sets the tone for the movie.
Joel Kinnaman’s Rick Flag even get a reboot in this film. While he was generally disliked in the 2016 version. In this film, he’s a fan favourite. Rather than being a “America-Forever-I-Bleed-Red-White-and-Blue” soldier, Rick Flag is forced to deal with the evils of his own government. He even dies while trying to expose their corruption. We see him genuinely care about his team, displaying a heartfelt friendship with Harley.
Other than those four, our core cast consists of John Cena, Idris Elba, Daniela Melchior, Sylvester Stallone, and David Dastmalchian. Playing with a new cast of characters and old characters revamped, it almost does feel like a reboot. It’s a sequel to the 2016 version in concept and a few recurring characters only. Not only does this film reboot the Suicide Squad, but it also feels like a fresh start for the DCEU.
After so many flops and disappointments, this film breaths hope into the future of the DCEU. The film feels new and adds a fresh spin to our traditional formulaic super-hero film. It definitely above and beyond exceeds expectations.
CULTURE CROSSING SCORE 7/10
Thank you for reading our review of The Suicide Squad. Do you agree or disagree with our points or have anything to add? If so, leave us a comment below.
Read our thoughts on what went wrong with the original Suicide Squad movie HERE.
Read IMDB information about The Suicide Squad HERE.
Morbius – Trailer
The latest trailer for Jared Leto’s Morbius is here and there’s a bit more of a tease around its crossover with the Marvel Cinematic Universe. You can view the trailer below.
Seeing more of Michael Keaton’s incarcerated Vulture is the latest nod to an expanding universe after the post-credits scene in Venom: Let there be Carnage and what’s expected from Spider-Man: No Way Home, due for release 17 December this year.
In the movie Biochemist, Michael Morbius will attempt to cure himself of a rare blood disease, but in taking an ‘at any costs’ approach he infects himself with bat venom and instead turns himself into a vampire. Morbius treads the thin line between hero and villain as he attempts to master his newfound powers.
Alongside the aforementioned Leto and Keaton, there are also roles for former Doctor Who Matt Smith, Transformers Tyrese Gibson and Jared Harris in a mystery role.
Here’s the trailer to enjoy:
Morbius will be in cinemas in January 2022.
Do you like Morbius trailer? Are you planning on seeing it when it’s released? What do you think it’ll be like? Let us know in the comments below.
Check out the Spider-Man: No Way Home trailer HERE.
Read IMDB information about Morbius HERE.
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