There have been so many great spoof movies over the past four decades. So, sit back and buckle up as we countdown the nine greatest spoof movies of all time. And “don’t call me Shirley”.
9. Team America: World Police
Ok, so it’s all-puppet action as opposed to real-life actors, but it’s still up there. Written by the guys behind South Park, it parodies an American counter-terrorism force as they take on global terrorists. As you would expect, there are some cracking scenes throughout the movie. Kim Jong-il singing about being “so roney, so roney” is a highlight that isn’t easily forgotten. You also have to feel sorry for poor old Matt Damon. Although he’s had a glittering film career it’s still hard not to say “Matt Damon” in that monotone way every time you see him on screen. According to writers Matt Stone and Trey Parker, Damon’s puppet looked so vacant that they decided to make his character only able to say his name. Poor Matt. Add in some fantastic one-liners, over-the-top violence and sex scenes with puppets, you have a great film that will make you laugh, and cringe.
8. Blazing Saddles
Mel Brooks is the king of spoof and parody. He’s directed and written many a great spoof over the years, but Blazing Saddles was only his third movie in the director’s chair. This 1974 offering takes the proverbial from all the great western movies from the 40s and 50s. The film throws joke after joke at you, along with anachronisms aplenty. Lead actors Gene Wilder and Cleavon Little also deliver comedic gold performances that help make this film great. Brooks also does a clever job of dealing with racism throughout the movie; something that hadn’t really been done before. One of those moments is where Wilder and Little confront two Klan characters, before stealing their white gowns. Clever, and poignant. It’s also interesting to note that execs wanted to pull the plug before release, but soon realised they got it wrong. It was a financial success and has firmly sealed its place in history as an iconic piece of filmmaking. Not only that, but it’s also still rated very highly on Rotten Tomatoes and IMDb today. Just goes to show that a classic stands the test of time.
Yep, our old friend Mel Brooks features again in the director’s chair. This time he delves into the world of sci-fi; more specifically, Star Wars. Although it only made a small profit at the time, it’s gone on to become a cult classic and holds a fresh rating at Rotten Tomatoes. The key to its success is it’s genuinely funny. The jokes are good enough to make you belly laugh. And the characters are so close to those on Star Wars, it’s amazing George Lucas gave his blessing for it to be made at all. He even went a step further and sent Mel Brooks a note to say he almost fell apart laughing through it. Praise indeed. Brooks’ other golden touch was casting Rick Moranis as Dark Helmet. I think you’ll struggle to find a funnier bad guy. There are also rumours of a sequel, predicted in the film itself as ‘The search for more Money’, although nothing has been greenlit at the moment. We live in hope.
6. Scary Movie
Ok, so there have been five films in the Scary Movie franchise but the first one from 2000 makes our list of spoof movies. Written by Shawn and Marlon Wayans and directed by Keenan Ivory Wayans, it’s definitely a family affair. Although later films parody a wide range of films, this one heavily relies on Scream, and I Know What You Did Last Summer. This works in the film’s favour as you don’t spend the entire movie wondering what film they’re parodying for each joke. You know that Ghostface from Scream is going to feature a lot. And he does. The scene where he gets stoned with a bunch of guys and prank calls people is still funny today. The later films just feel like a collection of forced jokes as they ran out of horror movies to parody. Although it received mixed reviews, it made a monumental profit at the box office.
5. The Naked Gun: From the Files of Police Squad
No spoof movies list would be complete without at least one that features the brilliant Leslie Nielson. The Naked Gun, released in 1988, was based on the short-lived TV series from 1982. Created by the legend of deadpan comedy David Zucker, it follows Lt Frank Drebin on his escapades. The original Police Squad series was a spoof of 60s police dramas; particularly M Squad, and The Naked Gun follows the same theme. Plus, it ends with one of the best death scenes in film history with Nielson waving his arms and calmly addressing the crowd with “nothing to see here”. With superb writing and acting, The Naked Gun was released to critical acclaim. It also made a healthy profit at the box office and is often listed as one the greatest comedy films ever made.
4. Hot Shots!
Released in 1991 and directed by Jim Abrahams, Hot Shots! keeps things simple by purely being a spoof of Top Gun. And a very good one it is too. Not only is the writing funny and sharp, but it also has a fantastic cast. Playing the lead roles are Charlie Sheen and Cary Elwes as the two feuding pilots. Both actors are masters of comedic timing and they deliver their lines with razorlike sharpness. The plot revolves around a mission to Iraq, with the added love triangle involving Sheen and Elwes’ characters and a female therapist. This sub-plot lends itself to some genuinely hilarious scenes between the two actors. Credit also has to go to the fantastic Lloyd Bridges. He plays a commander who seems to have had every part of his body replaced due to it being blown off in various battles. His lines in the movie are comedy gold. A great film that hits all its spoof targets with absolute aplomb.
3. Monty Python’s Life of Brian
Written and performed by legendary British comedy troupe Monty Python, Life of Brian had a controversial start. Being a satire of Jesus’ life was always going to cause some angst among some religious communities. In fact, some countries including Ireland and Norway banned it from being shown on release. In some cases that ban the latest decades. Life of Brian is often quoted as one of the greatest comedy films ever made. The writing is as good as you would expect from the Monty Python crew, and the jokes keep coming all the way through. Who can forget the immortal line, “he’s not the messiah, he’s a very naughty boy”. It made a modest box office profit at release but has gone on to earn iconic status. Rotten Tomatoes have it as a 95% certified fresh rating and it’s still raved about today.
2. This is Spinal Tap
This is the film that kicked off a new genre of filmmaking – the mockumentary. Parodying band biopics from the Rolling Stones and Led Zeppelin, it follows fictional band Spinal Tap on their debut American tour. If you’ve ever played in a band – as I do – so much of what’s in this film is true. I can personally attest to getting lost in venues and playing shows where no one turns up. Director Rob Reiner was sending up the pretensions of rock and roll bands and he nailed it. What’s also interesting is the majority of the dialogue throughout the film is improvised. Credit to the actors for pulling off some truly iconic lines. Whether it’s the Stonehenge scene or the legendary amp up to eleven scene, this film has embedded itself in our culture forever. It was only a modest success when it was first released, but its impact has left a lasting impression.
Well, we’ve flown; shot and rode our way to number one on our list of spoof movies. Once again, we arrive at a film directed by the dream team of the Zucker brothers and Jim Abrahams. Loosely based on air disaster movies of the 50s and 60s, it follows a plane whose crew are taken out with a sickness bug. Cue disgraced former pilot Ted Striker to save the day. Released in 1980, this was the film that set Leslie Nielson on the path of spoof comedy. He only has a fairly minor role as the doctor, but he delivers some of the best lines in the movie. ‘I am serious. And don’t call me Shirley’, is iconic. Lloyd Bridges also features as the man on the ground at air traffic control and turns in a chaotic but brilliant performance. Upon release, it made a whopping $168 million dollars at the box office and received critical acclaim. It’s also certified fresh at Rotten Tomatoes, along with ranking as one of the best on IMDb. It’s one of those films that make you cry with laughter thanks to clever writing and some fantastic performances. A timeless classic.
That’s our list of the nine greatest spoof movies. Did we miss any? Which is your favourite? Let us know in the comments below.
Read about movie remakes that should never have happened HERE.
Read IMDb information about Airplane! HERE.
No Time To Die – Review
No Time To Die is the 25th instalment in the official James Bond series. It’s the VERY long-awaited follow-up to 2015’s Spectre. The 6-year gap between the two films is only matched by the same gap between Timothy Dalton’s last outing in 1989’s Licence To Kill and Pierce Brosnan’s debut in 1995’s Goldeneye. Here’s our review of No Time To Die.
SPOILERS: If you’re reading this then you’ve probably seen the film, but if not there are spoilers ahead.
Of course, there are mitigating factors in that enormous gap. Namely COVID. Which made No Time To Die the first major film to delay its release due to the pandemic. Although, this film has had a difficult gestation irrespective of the global situation in the last 18 months. As soon as Spectre was released the speculation over Daniel Craig’s future in the role began. With him initially suggesting he would rather slash his own wrists than play the iconic spy again. He did a mea culpa on Stephen Colbert’s Late Show in August 2017, where he confirmed he would appear as Bond for a fifth and final time. The original director and writer, Danny Boyle and John Hodge, left the project a year later over creative differences. Cory Joji Fukunaga took over as director. While Bond script veterans Robert Wade and Neil Purvis took charge of the screenplay – with a sprinkling of magic from Fleabag’s Phoebe Waller-Bridge.
Originally slated for release in April 2020, at long last, we finally get to see Daniel Craig’s denouement as 007. His portrayal of Bond has been very much in keeping with the character of Ian Fleming’s original novels. His performances have certainly followed the dramatic lineage of Sean Connery and Timothy Dalton. Rather than the lighter portrayals by Roger Moore and Pierce Brosnan. Yet his Bond has displayed a vulnerability only really demonstrated with any plausibility by George Lazenby in his solitary outing as 007 in On Her Majesty’s Secret Service.
The deference to On Her Majesty’s Secret Service is presented in stark relief throughout this 2h43min epic. Making this the longest Bond film in the series. As this was the first film I’ve seen at the cinema since before the pandemic, I was already excited before I even sat down. As a massive James Bond fan as well, I was close to apoplexy! I felt a tangible shiver go down my spine as the iconic gun barrel sequence appeared before we see James cruising around Italy in the classic DB5 with Madeleine Swann at his side. This anticipation was clearly felt by other cinema-goers. They have made No Time To Die break the UK box office record for the biggest opening weekend. It took almost £26m, breaking the record previously held by Skyfall.
I’m not going to spoil the plot for those who’ve not seen it. I had made a conscious decision to avoid spoilers before I went.
A step up?
This film is another shot in the arm for those who see Craig as the definitive Bond. This was aided by a refocusing of the Bond canon after the main tropes of the series were stretched to breaking point by the invisible cars and melting ice palaces of Die Another Day. And then stretched still further by Madonna’s cameo as a fencing instructor. Daniel Craig was given leeway to truly regenerate James Bond for the 21st Century. The stripped-back nature of Casino Royale, without most of the supporting characters that have been a staple of the series like Q and Moneypenny. Gave him licence (pardon the pun) to explore the deepest and darkest recesses of the Bond psyche. Some well-drawn female leads and villains really allowed Craig’s Bond to spar with them with depth and genuine emotion.
That exploration continues and grows in No Time To Die. We get to see an ageing, truly world-weary Bond, whose past he appears unable to escape. This leaves him in a state of almost constant angst. Paradoxically though, we also see him truly relaxed at times. In a way I can’t recall ever seeing James Bond in any of his previous cinematic outings.
The issue with that exploration is that a number of characters then have their screen time cut. Moneypenny is reduced to little more than a cameo. And Remi Malek’s Safin is almost secondary as he features in the opening moments as his story is told, but then disappears for what seemed like an eternity. He of course reappears but he almost seems a mild irritation within the plot and merely a conduit to allow us to see the climax of Daniel Craig’s Bond era. It’s a disappointing underuse of a terrific actor. One with a captivating screen presence, who could have been one of the most menacing Bond villains of all time. That said, the influence of his dastardly but highly sophisticated plan is felt by all of the main protagonists. Christoph Waltz’s Blofeld continues to wreak his havoc with malevolent glee from his cell. He again revels in the chaos of his twisted sibling rivalry with Bond.
Lea Seydoux is wonderful again as Dr Madeleine Swann, picking up where she left off in Spectre and giving Bond as good as he gets in every way imaginable.
There are new characters who definitely cut through. Ana De Armas is utterly charming in her relatively brief time on-screen as Paloma, while Lashana Lynch takes no nonsense from Bond as Nomi. She also gives us a potential indicator as to the future direction of the franchise. Which has been the subject of much discussion in all quarters. That debate has even made its way into the political sphere with even Boris Johnson weighing in on what gender the next actor to play 007 should be.
Hans Zimmer’s score is classic Hans Zimmer, adding power and bombast to the usual mix of stunning scenery and brilliantly choreographed stunts. He brilliantly weaves nods to previous entries in the Bond musical tapestry throughout his score. While his cues are always thunderous, they never overpower the action on screen, but do add a sonic rumble that I don’t think has been heard in a Bond score for quite some time. I found Fukunaga’s direction a bit mixed, with some of the cinematography unnecessarily showy. Some of the tracking shots almost gave me motion sickness while some (admittedly beautifully composed) shots of the scenery seemed to have made the edit purely so as whoever the drone operator was could demonstrate their skills.
The film is much too long, although at no point did I check my watch. It’s not that any of the plot points are superfluous, more that the pacing is a little slow in places. Some of the dialogue feels cliched and clunky, making what is a great story feel a tad generic. Which doesn’t do anyone justice. However, there were some excellent jokes, and I laughed out loud several times. You don’t have to be a 007 super fan to get some of the self-referential humour that they seem to enjoy sprinkling throughout the film.
Billie Eilish’s theme song is a worthy addition to the collection and certainly sits comfortably within the top half of the ‘Bond Theme Chart’. It’s definitely more memorable and evocative than Sam Smith’s ‘Writing On The Wall’ for Spectre. Her voice trembles at times as you can almost feel she recognises the significance of singing the theme for Daniel Craig’s final appearance in the franchise.
It was also very pleasing to see that this film has moved with the times and reflects the world of 2021 with its portrayal of women. Every single female character had a genuine purpose and important role within the plot. While of course, the female actors playing those roles are all irrefutably glamorous and attractive. There was genuine respect and no objectification of women.
I came out of the screening with mixed emotions. Glad to be back in the cinema on one hand, sad that Daniel Craig’s stint ordering Martini’s was over on the other. I was pleased that such a good climax had been created to bring this era of Bond to a close, and all its story arcs had been brought to conclusions. I’m also excited and apprehensive in equal measure for the future of such an iconic film series. But I was disappointed with some of the characters not getting the necessary screen-time to truly develop their characters. Surprisingly, I was almost tearful at the final few moments, especially as the credits rolled.
Overall, this is a loving homage to the James Bond series, past and present. It’s a solid if unspectacular film in its own right, but the performances of Daniel Craig and Lea Seydoux, as well as the Bond history it wraps itself in, elevate it beyond that.
It’s not Craig’s best Bond film, as Skyfall is almost untouchable in my opinion, but it does bring closure to his tenure in the tuxedo in a manner that should please Bond fans across the board. It also tantalises us as to what the 6th age of Bond will look like. Let the intense speculation begin!
CULTURE CROSSING SCORE 7/10
Thank you for reading our review of James Bond No Time To Die. Do you agree or disagree with our points or have anything to add? If so, leave us a comment below.
Check out who we think could be the next James Bond and why HERE.
Read IMDB information about No Time To Die HERE.
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