Today I’m going to look at the real inspiration latest album from Taylor Swift, ‘Folklore’ and why it differs to her past music. For us mere peasants, the Covid-19 UK Lockdown consisted of binging on junk food and watching back to back episodes of Netflix series. Also going on the occasional run after trying on a pair of jeans which no longer have that “give” they had before. Then realising we aren’t cut out for running, we could just buy new jeans, and beginning the process all over again.
But, for American sweetheart and song-writing mastermind Taylor Swift it was different she gave us ‘Folklore’. Quarantined days were spent writing deep and expressive music. Alongside drinking wine, watching old movies and sending money to fans. That is, according to her Instagram.
On July 23rd she took to Twitter with a post:
“Surprise. Tonight at midnight I’ll be releasing my 8th studio album, folklore”
A Grammy Award-winning singer/songwriter. Swift is well-known in the music industry for her various-styled albums. This young superstar crash-landed into the music scene in 2006. And her life has been a constant rollercoaster ever since, but how much has her life affect her music?
We’re going to take a closer look at the inspirations behind ‘Folklore’ from Taylor Swift. How it compares to some of her older, life-affirming releases that pinpoint her career.
On her new album Folklore Swift tweeted:
“folklore; an entire brand-new album of songs I’ve poured all of my whims, dreams, fears, and musings into.”
And how very true that is, Taylor. The album is stunning, filled with stripped-back lyrics and a simplistic indie-folk melody.
I love nothing more than a good story. And Swift’s music tells tales of lost loves, deeply personal turmoil, stolen time and epiphanies, the whole album resembles an epic.
One song in particular that hit me like a freight train, and possibly the most intriguing song I have ever heard, is ‘betty’. Upon the release of the album, Swift professed that she’d created a few specific songs from perspectives of three sides of a high school love affair. The triangle – involving “august” “betty” and “cardigan” – even expresses possible bisexuality. Despite the album’s textual straightness.
Even so, songs such as “seven” truly offer the “folklore” vibe, offering soft, haunting melodies and powerful lyrics.
Also included in her personal essays broadcasted through Twitter. Swift expressed that her ‘imagination had run wild and this album is the result. A collection of songs and stories that flowed like a stream of consciousness.
The album was inspired by her isolation during the COVID-19 outbreak, ‘Picking up a pen was my way of escaping into fantasy, history and memory.’
She even explained her creative process: ‘It started with imagery and visuals that popped into my mind and piqued my curiosity…
The lines between fantasy and reality blur. And the boundaries between truth and fiction become almost indiscernible.
Speculation, over time, becomes fact. Myths, ghost stories and fables, fairytales and parables, gossip and legend.
Someone’s secrets written in the sky for all to behold. It’s a powerful statement to make. And is packed with so many cryptic messages, of her past relationships. As well as shattered friendships, friends she wished she had never met rumours and speculation.
No wonder, then, that the album’s release opened at number 1 on the Billboard charts with a huge 846,000 sales in the US alone. But how did she get to this point in her musical profession?
At the very beginning of Taylor Swift’s career. Way back in 2006. She released a self-titled album jam-packed with her longest-lasting love, country music. Including songs such as ‘Our Song’ and ‘Teardrops on my Guitar’.
The vibe is typical of the genre, relaxing with a slow, foot-tapping beat. It fits perfectly with the album cover which shows a young free-spirited Taylor. With her long curly locks, exactly the image she projected in those initial years stepping into main-stream music.
But, it was clear that Taylor’s innocent portraits of country-bumpkin life were at an end with the announcement of her fourth album, Red. Her 2012 release was evoked by Swift’s encounters with past relationships. It began to unveil the more mature, more independent woman we see today.
The album still contained echoes of her past records. But it was Red that really pinpointed the change, as Swift stated to Billboard: ‘[‘Red’] the song was a true turning point for Red the album.
When I wrote the song my mind started wandering to all the places we could go’. A shift began to take shape in America’s pop-sweetheart, and this was starting to emerge in her music.
As well as her rising all-rounder musical talents. The release of Red and the upcoming tour saw Swift in the limelight for a different reason. Whispers of feuds with other stars started to bubble on the surface.
One of the most well-known being the drama that unfolded with Katy Perry. Supposedly fuelled by an argument surrounding tour dancers leaving the Red tour early to perform on Prismatic. It sparked a huge media following, and the feud was confirmed by Perry’s elusive Twitter reaction.
Although much of Taylor Swift’s music career has centred around her relationships. It was 1989 that cumulated previous intimate details leaked through the years.
If Red was the beginning of Swift’s new outlook on life, then 1989 was her affirming her place as a strong female in the industry. In the aftermath of the release, more feuds were brewing. Including the all-out explosive argument with Kayne West and Kim Kardashian-West.
Enter Taylor Swift’s most dramatic yet, Reputation. This aggressive, salacious album released in 2017 and it was basically a middle finger to all that had wronged her, in pop form.
For example, the lyrics to ‘Look What You Made Me Do’ were so acutely descriptive that an abundance of ‘decoding’ articles filled the internet within hours of its release. From Katy Perry to Kayne West, Swift left no stone unturned with addressing her issues through music.
For some it was pure sass, for others, like me, it was way too ferocious and so not the sweet, talented Swift we all aged with. Thank the lord for her 7th studio album, Lover and the absolute wonder that is her newest release. Taylor, we thought we had lost you for a moment there.
And that was the real inspiration behind the latest Taylor Swift album ‘Folklore’ and why it differs to her past music. If you’re a fan of Taylor, what are your thoughts? Let us know in the comments below.
More of our music articles HERE.
9 Iconic Jerry Goldsmith Film Scores
Jerry Goldsmith may be a name that is not known to you, but some of the music scores he’s created will be etched into your psyche.
The late composer created some of the most iconic film scores from the past forty years. Here are nine of the best.
1. Planet of The Apes (1968)
The first film in the Planet of the Apes franchise was a trailblazer for many reasons. Not only was the story innovative and philosophical, but it also received praise for its special effects. Another thing that made the film so special, was the musical score. Goldsmith had been writing scores for a while, but this was the one that truly put him on the map. He moved away from traditional melodies and experimented with horns, bowls, and strings. The result was a brooding avant-garde tsunami that hits you, wave after wave. Genius.
2. The Omen (1976)
This horror classic has one of the creepiest soundtracks of all time. The subject matter of the child anti-Christ obviously helps. The score for the film was the benchmark for horror that influenced a slew of films in its wake. Goldsmith employed some frankly terrifying Gregorian chants to make the horror more effective. He also combined the chants with some spine-tingling strings and piano. It all works and makes the hairs on your neck stand up when you hear it. This is one of Goldsmith’s most terrifying, yet brilliant works. He even won an Oscar for it.
3. Poltergeist (1982)
Ignore the terrible remake from a few years ago, the original Poltergeist movie was brilliant. What helped make it brilliant is the score that Goldsmith implemented. It’s a far cry from the creepy atmosphere of The Omen, but more of an unsettling lullaby. On first listen it seems like an uplifting piece of music, but after a while, you realise it’s the opposite. Goldsmith wanted to use the family dynamic as the focus of the music, exploring all the layers. The result is a surprising score that earned him an Oscar nomination, although he didn’t win that one.
4. Alien (1979)
Jerry Goldsmith’s score is almost as famous as Ridley Scott’s sci-fi classic itself. It wasn’t all plain sailing though. His final score was cut to bits by Scott and the production team, although the full masterpiece is available now. What he achieves here is the coldness and terror of space, and what lies within it. It’s laden with atmosphere that takes you on a journey that touches all the emotions. There is a smorgasbord of instruments used within the score, but there is one that really stands out. The trumpet solos. They are used to great effect, and you can feel the Xenomorph creeping up behind you.
5. Gremlins (1984)
Arguably one of the greatest movies from the 1980s, Gremlins throws together a collection of genres. You’ve got comedy; horror; slapstick; gore and drama all in one. In keeping with that theme, Jerry Goldsmith created the film’s score to mirror that. In fact, it’s so gloriously over-the-top it wouldn’t be out of place in a funfair. The synth is beautifully erratic. It perfectly emulates the chaotic yet lovable rogue elements of the Gremlins themselves. It’s often thought that comedy scores should not be silly, but this preconception is thrown out of the water. Sit back and enjoy the madness.
6. Rambo: First Blood Part II (1985)
Whereas the first Rambo film had a slight intelligent edge to the violence, Rambo II is an unashamedly hammy shoot-‘em-up. Keeping in theme with the film, Goldsmith manages to keep the score suitably exciting. Using his use of electronics to embellish the strings and horns, it makes for a big, brash, and thoroughly enjoyable listen. He manages to capture the exact feel of the film in his music. That’s no mean feat, and he does it to perfection.
7. Star Trek: The Motion Picture (1979)
The first of the Star Trek movies kickstarted a film franchise that’s still going to this day. The music of Trek is in my humble opinion, as important as the moral and optimistic themes of the stories. This is purely down to the genius of Jerry Goldsmith. Although visually superb, the film is a bit of a damp squib. The soundtrack, however, is not. It defines what Star Trek is about. The music takes you on a journey through space and exploration. There are mostly brass instruments that make up the score, and it builds to a crescendo that propels straight to the captain’s chair. The score was that good that it was used as the theme to TNG. This is some of Goldsmith’s finest work that defines Star Trek.
8. Basic Instinct (1992)
This Paul Verhoeven naughty thriller is iconic for many reasons. One of them perhaps more famous than others (ahem). Crossed legs aside, the movie itself is probably more famous for that scene than anything else. The musical score though is rather special. Goldsmith himself admitted this was one of his toughest ones to write. He pulled it off though. The music manages to capture Sharon Stone’s character perfectly. The charming beauty with a malevolent underbelly is clear to hear. He handles the contradictions with absolute aplomb and delivers a simply superb musical score.
9. The Mummy (1999)
This action romp may have had some questionable special effects, but the film score was some of Jerry Goldsmith’s finest work. Created towards the end of his career, it’s the last of the great film scores. It has everything from thunderous action and creepy horror. There are even some feel-good romantic elements. It takes you on a roller coaster of emotions but leaves you feeling fully enthralled. Even into his seventies, Jerry Goldsmith created some of his best work. A true icon and legend of film composition.
That’s our list of nine iconic Jerry Goldsmith film scores, did we miss any? Let us know in the comments below.
Check out nine movie soundtracks better than the films HERE.
- Movie News1 year ago
The 9 Most Powerful Power Rangers Villains
- Comics & Literature1 year ago
What Happened To The Fellowship After The Ring Was Destroyed?
- Movie News11 months ago
Which Traps Would Have Killed Harry And Marv In Home Alone?
- TV News8 months ago
Homelander: The Greatest Villain In TV History
- Movie News1 year ago
The Incredible Hulk Is The Best MCU Movie
- Movie News1 year ago
What Went Wrong? Hook
- TV News11 months ago
8 The Simpsons Characters Who Deserve Their Own Spin-Off
- Comics & Literature1 year ago
Harry Potter: The Tragic Life Of Remus Lupin