Star From Disney Plus
Disney Plus introduced Star to the service a little while ago now with loads of highlights. We’re sure, like us, you’ve had a good old delve into the catalogue and watched some of your faves. But, just in case you’ve missed anything, we have put together a little guide on what’s good to get stuck into. Also what’s bad and could do with being swiped past, and the classic must-see TV series and films that you probably didn’t even realise were there.
So, when you find yourself looking for something to watch on a Friday evening or binge for a couple of weeks, don’t scroll endlessly, just take a look at our guide of Disney Plus Star recommendations.
These are the films and series that have been released within the last 10 years, which you need to watch or should at least be on your ‘to watch’ list.
Series on Disney Plus Star
Atlanta (2016 – Present)
If you haven’t watched this series yet, why not? The creative and talented Donald Glover heads up the show as the main character ‘Earn’, and on the writing credits too (among 6 others, including his brother Stephen Glover), in this funny, gritty and realistic series which follows a rapper ‘Paper Boy’ and his manager Earn (Glover) as they navigate the rap business. If you have watched the show before, you may want to re-watch for a recap as season 3 has been promised to us very soon.
9-1-1 (2018 – Present)
This isn’t just any emergency service drama, this series covers the lives of several Los Angeles first responders: police officers, paramedics, firefighters, and dispatchers. It also has some big names involved, including Angela Bassett and, later in the series, Jennifer Love Hewitt. For some reason though, there’s only two of the four seasons of 9-1-1 on Disney Plus Star so far, but it’s well worth a watch and we’re sure the other two seasons should be along soon.
Doll Face (2019 – Present)
By the title alone, and the fact that it’s a weekly release, it initially looked like this series was set around a stereotypical break up and was destined for the bad list. However, the witty script, amazing female actors and relatable storyline made me put this series firmly within the good pile as I can’t wait to watch more. Kat Dennings takes the lead in the series and really brings to life upcoming writer Jordan Weiss’ story of female friendships after a breakup.
Films on Disney Plus Star
The Fault in Our Stars (2014)
This beautiful coming of age story, based on a book with the same name, is a great watch for all ages, not just teens. Be ready for oodles of romance, as well as teary and heart-warming moments, as you follow two teens affected by cancer as they set off on a journey of discovery.
The Favourite (2018)
We love a period drama, and this quirky look at the reign of Queen Anne is no exception. With starring roles from Olivia Colman, Rachel Weisz, Emma Stone and Nicholas Hoult, it’s no wonder The Favourite had 336 nominations in award season and 182 wins. It’s definitely one of the best films from the last 5 years on Disney Plus Star.
Deadpool 2 (2018)
There are some examples coming up in these lists that give sequels a bad name, however, Deadpool 2 isn’t one of them. If you were putting off watching this one because of the sequel curse, don’t, it’s just as good – if not better – than the first. Wade Wilson (Ryan Reynolds) is back as the foul-mouthed superhero and, this time, he brings some new friends: Domino (Zazie Beetz), Fire Fist (Julian Dennison) and Weasel (T.J. Miller) among others.
There’s not as many on this ‘bad’ list as Star has done a pretty good job with their chosen titles. However, like any service, there are always a few bad eggs in our opinion… This doesn’t mean you shouldn’t watch these, it’s more of a warning that there may be better things to press play on.
Series on Disney Plus Star
Lost (2004 – 2010)
To be completely honest here, the first two seasons of Lost are very entertaining and interesting to watch, as you follow several people who try to survive a plane crash and have to adapt to life on a strange island. But, by the middle of season three, things start to get a little confusing and we found ourselves getting lost (pun intended) in the plot until the final sixth season, only to be hit with a heavily reported disappointing end… even worse than some people’s feelings about Game Of Thrones. So, we recommendation delving into some of the other series rather than this one.
24: Legacy (2017)
Trying to build another series from an established series can be very hit or miss – and this one was a huge miss. So much so that Fox axed it just after one series.
It takes on the same format as the original 24 series, where one season is just one day, however, this time they are trying to stop a terrorist attack. The format just doesn’t work with this storyline and you lose a lot of momentum and excitement, plus the acting just isn’t the best.
Films on Disney Plus Star
Independence Day: Resurgence (2016)
Just like building another series off a series, sequels can also be tricky beasts… some are good, some are bad and, when it follows an absolute classic like ‘Independence Day’, it needs to be amazing. Unfortunately, this one didn’t quite live up to the legacy of the first film; I mean, not even ‘Hunger Games’ Liam Hemsworth couldn’t get this to match up with the original. But it is still entertaining, so if you do decide to watch this one, just do so with caution.
As you have probably already noticed there are some absolute classics on Disney Plus Star, so this is going to be the longest list, full of series that you can binge from start to finish and films that stand the test of time and can be re-watched repeatedly. Most of these titles don’t need much explanation as you’ll have already watched or heard about them, but you might not have spotted them yet on Disney Plus Star as some were buried deep in the archives.
Series on Disney Plus Star
X Files (1993 – 2001)
If you were born in the 90s or 00s, this one may have gone under your radar; however, once you watch the first season full of aliens, wired going ons and the brilliantly disjointed relationship of FBI agents, conspiracy theorist Fox Mulder and realist Dana Scully, you won’t want to stop watching. Granted some of the special effects are a little dated and unbelievable, but you will soon forget about that as you get sucked into the narrative.
Buffy The Vampire Slayer (1997 – 2002)
I know, I know, it’s hard to think there are people out there that haven’t watched a single vampire slaying, kick-ass, sci-fi loaded episode… but there is. If you are one of those people, what are you waiting for? Every single episode is here wating for you to binge. If you don’t fancy delving into the full thing, I would recommend at least taking a peek at the seventh episode of the sixth series (Once More, with Feeling: Buffy the Musical).
24 (2001 – 2014)
Before Jack Bauer (Kiefer Sutherland) burst on our screens in 2001, this kind of format for a series had never been attempted before and it just worked, so much so it ran for 9 seasons. It may seem odd at first, as each series is just one day, but you really do get sucked in.
Grey’s Anatomy (2005 – 2018)
Within its almost 13 years of being on air, this series has offered every heart-warming and breath-holding moment you need from a hospital-based drama. This would be a perfect series to start if you want something that will last you a while.
Sons of Anarchy (2008 – 2014)
Bikes, leather and action: what’s not to like? This series ran for a glorious 7 seasons, and within these episodes, there is storyline upon storyline that will keep you hooked and wanting to know more about the motorcycle club that straddles the line between legal and illegal.
Films on Disney Plus Star
(We’re pretty sure you will have watched most of these films, but they are well worth a re-watch)
Planet of the Apes (1968)
The film that started them all. Since the release of this film in 1968, there have been seven more sequels and remakes of the original sci-fi movie, two of which you can also watch on Disney Plus Star: Planet Of the Apes (2001) and Dawn of the Planet of the Apes (2014).
Jewel of the Nile (1985)
It could possibly be that the countless TV showings over the have passed you by, but if you’ve not seen Jewel of the Nile, you should definitely give it a go. Michael Douglas, Kathleen Turner and Danny DeVito are fantastic in this pure 80s romantic action comedy.
Sticking within the 80s romantic comedy realm, you’ve also got Cocktail, which is full of love ultimatums, with a dash of cheese. Come on, you know you want to watch a young Tom Cruise at work.
The Fly (1986)
One name – Jeff Goldblum. Watch it.
Pretty Woman (1990)
We were just as excited as the first time we watched it when we saw this classic on the service. To not watch this again would be a big mistake. HUGE.
This wonderfully wacky story by Valerie Curtin and Barry Levinson comes alive with the help of one of the best comedic actors of all time, Robin Williams, alongside the wonderful Joan Cusack and, bizarrely, LL Cool J.
What’s Love Got To Do With It (1993)
Whether you love Tina Turner’s music or not, it does not matter. This is one of the most interesting and inspirational biographical movies that you will ever watch. Word of warning, the incredible Angela Bassett and Lawrence Fishburne are so great at their roles that some of the more sensitive scenes are very realistic.
With any new service, there are glitches, and we found one! Whilst watching this absolute classic a few weeks ago, about two and a half hours into the film the screen when to the small screen format as if the credits had come up, making it difficult to watch the last part of the film. However, when we went to finish the film off a week later the glitch had been fixed and you can now watch the whole film without interruption… FREEDOM!
William Shakespeare’s Romeo + Juliet (1996)
We all know that when it comes to film, Baz Luhrmann is a genius and he doesn’t disappoint with this abstract take on the story. It’s worth watching for the soundtrack alone.
Independence Day (1996)
90s Will Smith doing what he did best: lots of running, fighting and shouting – need I say more? Oh yes, you can also watch another one of his masterpieces, Enemy of the State (1998) on this service too.
Con Air (1997)
‘Put the bunny back in the box’ and sit down and watch this classic… we all know Nicholas Cage films can be a little unpredictable, but this film is definitely a hit, especially as he is joined by other legends of the screen, including John Malkovich, Steve Buscemi, John Cusack and Ving Rhames.
The Devil Wears Prada (2006)
Well if it’s at our fingertips, why not watch this film for the 56th time… this year.
So, there you have it, these are some of our highlights and must-miss titles from Disney Plus Star. Are there any that we missed? If so, comment below and let us know what category they belong in.
Check out the top 10 hidden gems in the other Disney Plus feeds HERE.
No Time To Die – Review
No Time To Die is the 25th instalment in the official James Bond series. It’s the VERY long-awaited follow-up to 2015’s Spectre. The 6-year gap between the two films is only matched by the same gap between Timothy Dalton’s last outing in 1989’s Licence To Kill and Pierce Brosnan’s debut in 1995’s Goldeneye. Here’s our review of No Time To Die.
SPOILERS: If you’re reading this then you’ve probably seen the film, but if not there are spoilers ahead.
Of course, there are mitigating factors in that enormous gap. Namely COVID. Which made No Time To Die the first major film to delay its release due to the pandemic. Although, this film has had a difficult gestation irrespective of the global situation in the last 18 months. As soon as Spectre was released the speculation over Daniel Craig’s future in the role began. With him initially suggesting he would rather slash his own wrists than play the iconic spy again. He did a mea culpa on Stephen Colbert’s Late Show in August 2017, where he confirmed he would appear as Bond for a fifth and final time. The original director and writer, Danny Boyle and John Hodge, left the project a year later over creative differences. Cory Joji Fukunaga took over as director. While Bond script veterans Robert Wade and Neil Purvis took charge of the screenplay – with a sprinkling of magic from Fleabag’s Phoebe Waller-Bridge.
Originally slated for release in April 2020, at long last, we finally get to see Daniel Craig’s denouement as 007. His portrayal of Bond has been very much in keeping with the character of Ian Fleming’s original novels. His performances have certainly followed the dramatic lineage of Sean Connery and Timothy Dalton. Rather than the lighter portrayals by Roger Moore and Pierce Brosnan. Yet his Bond has displayed a vulnerability only really demonstrated with any plausibility by George Lazenby in his solitary outing as 007 in On Her Majesty’s Secret Service.
The deference to On Her Majesty’s Secret Service is presented in stark relief throughout this 2h43min epic. Making this the longest Bond film in the series. As this was the first film I’ve seen at the cinema since before the pandemic, I was already excited before I even sat down. As a massive James Bond fan as well, I was close to apoplexy! I felt a tangible shiver go down my spine as the iconic gun barrel sequence appeared before we see James cruising around Italy in the classic DB5 with Madeleine Swann at his side. This anticipation was clearly felt by other cinema-goers. They have made No Time To Die break the UK box office record for the biggest opening weekend. It took almost £26m, breaking the record previously held by Skyfall.
I’m not going to spoil the plot for those who’ve not seen it. I had made a conscious decision to avoid spoilers before I went.
A step up?
This film is another shot in the arm for those who see Craig as the definitive Bond. This was aided by a refocusing of the Bond canon after the main tropes of the series were stretched to breaking point by the invisible cars and melting ice palaces of Die Another Day. And then stretched still further by Madonna’s cameo as a fencing instructor. Daniel Craig was given leeway to truly regenerate James Bond for the 21st Century. The stripped-back nature of Casino Royale, without most of the supporting characters that have been a staple of the series like Q and Moneypenny. Gave him licence (pardon the pun) to explore the deepest and darkest recesses of the Bond psyche. Some well-drawn female leads and villains really allowed Craig’s Bond to spar with them with depth and genuine emotion.
That exploration continues and grows in No Time To Die. We get to see an ageing, truly world-weary Bond, whose past he appears unable to escape. This leaves him in a state of almost constant angst. Paradoxically though, we also see him truly relaxed at times. In a way I can’t recall ever seeing James Bond in any of his previous cinematic outings.
The issue with that exploration is that a number of characters then have their screen time cut. Moneypenny is reduced to little more than a cameo. And Remi Malek’s Safin is almost secondary as he features in the opening moments as his story is told, but then disappears for what seemed like an eternity. He of course reappears but he almost seems a mild irritation within the plot and merely a conduit to allow us to see the climax of Daniel Craig’s Bond era. It’s a disappointing underuse of a terrific actor. One with a captivating screen presence, who could have been one of the most menacing Bond villains of all time. That said, the influence of his dastardly but highly sophisticated plan is felt by all of the main protagonists. Christoph Waltz’s Blofeld continues to wreak his havoc with malevolent glee from his cell. He again revels in the chaos of his twisted sibling rivalry with Bond.
Lea Seydoux is wonderful again as Dr Madeleine Swann, picking up where she left off in Spectre and giving Bond as good as he gets in every way imaginable.
There are new characters who definitely cut through. Ana De Armas is utterly charming in her relatively brief time on-screen as Paloma, while Lashana Lynch takes no nonsense from Bond as Nomi. She also gives us a potential indicator as to the future direction of the franchise. Which has been the subject of much discussion in all quarters. That debate has even made its way into the political sphere with even Boris Johnson weighing in on what gender the next actor to play 007 should be.
Hans Zimmer’s score is classic Hans Zimmer, adding power and bombast to the usual mix of stunning scenery and brilliantly choreographed stunts. He brilliantly weaves nods to previous entries in the Bond musical tapestry throughout his score. While his cues are always thunderous, they never overpower the action on screen, but do add a sonic rumble that I don’t think has been heard in a Bond score for quite some time. I found Fukunaga’s direction a bit mixed, with some of the cinematography unnecessarily showy. Some of the tracking shots almost gave me motion sickness while some (admittedly beautifully composed) shots of the scenery seemed to have made the edit purely so as whoever the drone operator was could demonstrate their skills.
The film is much too long, although at no point did I check my watch. It’s not that any of the plot points are superfluous, more that the pacing is a little slow in places. Some of the dialogue feels cliched and clunky, making what is a great story feel a tad generic. Which doesn’t do anyone justice. However, there were some excellent jokes, and I laughed out loud several times. You don’t have to be a 007 super fan to get some of the self-referential humour that they seem to enjoy sprinkling throughout the film.
Billie Eilish’s theme song is a worthy addition to the collection and certainly sits comfortably within the top half of the ‘Bond Theme Chart’. It’s definitely more memorable and evocative than Sam Smith’s ‘Writing On The Wall’ for Spectre. Her voice trembles at times as you can almost feel she recognises the significance of singing the theme for Daniel Craig’s final appearance in the franchise.
It was also very pleasing to see that this film has moved with the times and reflects the world of 2021 with its portrayal of women. Every single female character had a genuine purpose and important role within the plot. While of course, the female actors playing those roles are all irrefutably glamorous and attractive. There was genuine respect and no objectification of women.
I came out of the screening with mixed emotions. Glad to be back in the cinema on one hand, sad that Daniel Craig’s stint ordering Martini’s was over on the other. I was pleased that such a good climax had been created to bring this era of Bond to a close, and all its story arcs had been brought to conclusions. I’m also excited and apprehensive in equal measure for the future of such an iconic film series. But I was disappointed with some of the characters not getting the necessary screen-time to truly develop their characters. Surprisingly, I was almost tearful at the final few moments, especially as the credits rolled.
Overall, this is a loving homage to the James Bond series, past and present. It’s a solid if unspectacular film in its own right, but the performances of Daniel Craig and Lea Seydoux, as well as the Bond history it wraps itself in, elevate it beyond that.
It’s not Craig’s best Bond film, as Skyfall is almost untouchable in my opinion, but it does bring closure to his tenure in the tuxedo in a manner that should please Bond fans across the board. It also tantalises us as to what the 6th age of Bond will look like. Let the intense speculation begin!
CULTURE CROSSING SCORE 7/10
Thank you for reading our review of James Bond No Time To Die. Do you agree or disagree with our points or have anything to add? If so, leave us a comment below.
Check out who we think could be the next James Bond and why HERE.
Read IMDB information about No Time To Die HERE.
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