Let’s have a look at nine movie releases remakes that definitely shouldn’t have never been made to seen the light of day.
It seems that in recent years, Hollywood have run out of original movie ideas. There has been remake after remake of films that were initially successful. As it often the case, film execs decide to cash in and remake these films for a new audience.
Now, sometimes this works. Oceans Eleven; The Jungle Book and Woman in Black are some examples that come to mind.
But sometimes it can go spectacularly wrong. This can be due to poor box office sales or being critically panned by the critics. Or it could just be the fact that the writing is utterly diabolical.
9. The Omen (2006)
If you’re going to have a pop at remaking a horror classic, then you have to bring something new to the table. The David Seltzer-penned 1976 original is a horror classic. Brooding and sinister, it doesn’t rely on shock scares. Instead, it uses atmosphere; some fantastic actors; a great script and an Oscar-winning musical score. This remake from 2006 didn’t live up to its predecessor’s brilliance. In fact, there’s no good reason why it was made. The plot follows almost the exact same story as the original film. A large majority of the scenes are practically identical, which seems pointless. You can’t blame the cast as there was some fine actors involved – Mia Farrow, Pete Postlethwaite and Michael Gambon to name a few. But their acting skills were not enough to make this movie good.
It adds nothing new to the original story; it’s just the same film with a different cast. It did make a healthy profit at the box office ($120 million), but the critic reviews were not good for the reasons I’ve mentioned. Fan-reviewed websites also have pretty poor reviews for it, so don’t just take my word for it.
8. Robin Hood (2018)
There have been a few Robin Hood movies over the years. Some are better than others, but this remake from 2018 is truly terrible. There are many factors involved and the two lead men are fine actors, but just not in this movie. Taron Egerton and Jamie Foxx have a great filmography, but their ham acting is just cringeworthy here. Blame should also go to the script, which is cheesier than a large cheese pudding. There is plenty of action sequences, but the costumes and dialogue are all anachronistic. This all adds to the clunkiness of the whole debacle. It was also a box office bomb and universally panned by critics. If you want a good Robin Hood movie that doesn’t take itself too seriously, watch Robin Hood: Men in Tights from 1993.
7. Get Carter (2000)
The 1971 original is often hailed as one of the greatest movies of all time. A lot of that had to do with the charismatic Michael Caine as the lead character. A gritty Londoner out for revenge after the murder of his brother. In 2000 the movie was remade, but this time it’s set in Seattle with Sylvester Stallone as the lead character. The premise is still the same as the original film, but Sly Stallone kicking butts in Seattle just doesn’t have the same impact. Yes, there are some cool fight scenes and Sly does a good job on the acting front. But it doesn’t have the coolness or panache of the original. It just another Sly fronted action-thriller with little substance. Critics and audiences agreed, and it was universally panned. It also lost $40 million at the international box office.
I’m going to open with the same point I made earlier in this article. If you are going to remake a classic movie, then be innovative and do something new. Alfred Hitchcock’s 1960 original is a masterpiece of creepy psychological filmmaking. Unfortunately, this 1998 remake failed to improve on any of that. Vince Vaughn played the Norman Bates character with Anne Heche playing Marion Crane. They do a fair job in portraying these iconic characters but bring nothing new to them. I guess seeing the film in colour helps bring a modern feel to it; especially as fake blood was used as opposed to chocolate sauce in the original. But interesting facts aside, it’s pretty much a shot-for-shot remake of the original.
Even the director Gus Van Sant admitted later it was an experiment to see if a shot-for-shot movie would work. It didn’t, as was proved by the critical and financial failure of the film. Then it barely made back half of its $60 million dollar budget. It was also given several Golden Raspberry awards for worst director and worst remake. This proves that you don’t mess around with Alfred Hitchcock.
5. Robocop (2014)
I remember walking into the cinema to watch this full of excitement. I left the cinema two hours later full of popcorn, but also full of disappointment. The original 1987 film is a cult classic. It’s mix of action; violence and satire made it one of the best movies of the decade. This remake from 2014 failed to hit any of those spots. Yes, it had some small elements of political satire and philosophical touches from the original, but little else. People with weak stomachs will applaud the lack of gore, but without it, the film seems too melodramatic. The updated effects make this remake look better, but the substance and excitement just aren’t there. Critics were overwhelming negative of the film too. There is also another reboot in the works. Why?!
4. The Fog (2005)
Enveloping fog has always been a good premise from a horror film. John Carpenter also thought so and made a creepy such film in 1980. The plot revolves around a mysterious fog that brings dead sailors to haunt and terrorize a Californian town. Sometimes the passage of time can allow for the special effects to improve, and it does here. But the gaps between the various grisly deaths are just dull. The characters are wooden, and you don’t end up caring when they meet their untimely demise. John Carpenter did produce this remake so it’s surprising there isn’t more depth to it. It did make a small profit at the box office but was universally panned by movie critics. If you do have to watch it just don’t engage your brain.
3. Total Recall (2012)
Another movie that tried to reboot an iconic sci-fi action film. 1990’s original was set on Mars and featured Arnold Schwarzenegger in the lead role. At the time, it was one of the most expensive movies ever made. This remake from 2012 had Colin Farrell in the lead role, supported by the brilliant Kate Beckinsale. This is another film that’s enjoyable to watch, just don’t try thinking whilst watching. There are plenty of spectacular action sequences that fizz, pop and bang, but don’t expect substance. It lacks any depth to the plot and misses the mark on the dry humour and character development that the original had. Pretty much all the movie critics agreed as well.
2. Bangkok Dangerous (2008)
Ah, Nicolas Cage. His movies in recent years have been a bit, well, hit and miss. And that’s being generous. It’s a shame as he is genuinely a great actor. But in recent years he’s picked terrible films to be in, and often dials in a performance. This remake from the Pang brothers Thai original from 1999 has none of the unique hallmarks of the original. For example, Nic Cage’s character is no longer deaf and mute like he was in the original. This seems odd as the brothers also directed this remake. A meandering plot; wooden performances and clunky cinematography make this a flop. It also received poor reviews and barely broke even at the box office.
1. Death Wish (2018)
The Charles Bronson 1974 original was a violent but successful vigilante movie. It also hit a chord with Americans at a time of increasing urban violence. It spawned several sequels, but this 2018 remake had Bruce Willis dishing out the justice. The original film had a point to make about taking the law into your own hands and did it with a visceral bang. The film was shocking at the time with its violence and rape scene, but it was relevant to explain how the lead character changed through the film. This remake doesn’t explore any of this.
It’s a brainless revenge movie that doesn’t have the same impact as the original and Bruce Willis dials in a lacklustre performance. It doesn’t add anything to the original film, and you’re left feeling empty after watching it. The whole thing seems pointless and morally bankrupt. In fact, it makes the 1974 original seem almost philosophical. It also received criticism for being released a few weeks after the Douglas High School shooting in Florida and for glorifying guns. It also barely made a profit at the box office and overwhelmingly received negative reviews.
And that’s our list of nine movie remakes that should never have been given the green light. Did we miss any? do you agree with us? Let us know in the comments below.
Read about what went wrong with the remake of A Nightmare on Elm Street HERE.
No Time To Die – Review
No Time To Die is the 25th instalment in the official James Bond series. It’s the VERY long-awaited follow-up to 2015’s Spectre. The 6-year gap between the two films is only matched by the same gap between Timothy Dalton’s last outing in 1989’s Licence To Kill and Pierce Brosnan’s debut in 1995’s Goldeneye. Here’s our review of No Time To Die.
SPOILERS: If you’re reading this then you’ve probably seen the film, but if not there are spoilers ahead.
Of course, there are mitigating factors in that enormous gap. Namely COVID. Which made No Time To Die the first major film to delay its release due to the pandemic. Although, this film has had a difficult gestation irrespective of the global situation in the last 18 months. As soon as Spectre was released the speculation over Daniel Craig’s future in the role began. With him initially suggesting he would rather slash his own wrists than play the iconic spy again. He did a mea culpa on Stephen Colbert’s Late Show in August 2017, where he confirmed he would appear as Bond for a fifth and final time. The original director and writer, Danny Boyle and John Hodge, left the project a year later over creative differences. Cory Joji Fukunaga took over as director. While Bond script veterans Robert Wade and Neil Purvis took charge of the screenplay – with a sprinkling of magic from Fleabag’s Phoebe Waller-Bridge.
Originally slated for release in April 2020, at long last, we finally get to see Daniel Craig’s denouement as 007. His portrayal of Bond has been very much in keeping with the character of Ian Fleming’s original novels. His performances have certainly followed the dramatic lineage of Sean Connery and Timothy Dalton. Rather than the lighter portrayals by Roger Moore and Pierce Brosnan. Yet his Bond has displayed a vulnerability only really demonstrated with any plausibility by George Lazenby in his solitary outing as 007 in On Her Majesty’s Secret Service.
The deference to On Her Majesty’s Secret Service is presented in stark relief throughout this 2h43min epic. Making this the longest Bond film in the series. As this was the first film I’ve seen at the cinema since before the pandemic, I was already excited before I even sat down. As a massive James Bond fan as well, I was close to apoplexy! I felt a tangible shiver go down my spine as the iconic gun barrel sequence appeared before we see James cruising around Italy in the classic DB5 with Madeleine Swann at his side. This anticipation was clearly felt by other cinema-goers. They have made No Time To Die break the UK box office record for the biggest opening weekend. It took almost £26m, breaking the record previously held by Skyfall.
I’m not going to spoil the plot for those who’ve not seen it. I had made a conscious decision to avoid spoilers before I went.
A step up?
This film is another shot in the arm for those who see Craig as the definitive Bond. This was aided by a refocusing of the Bond canon after the main tropes of the series were stretched to breaking point by the invisible cars and melting ice palaces of Die Another Day. And then stretched still further by Madonna’s cameo as a fencing instructor. Daniel Craig was given leeway to truly regenerate James Bond for the 21st Century. The stripped-back nature of Casino Royale, without most of the supporting characters that have been a staple of the series like Q and Moneypenny. Gave him licence (pardon the pun) to explore the deepest and darkest recesses of the Bond psyche. Some well-drawn female leads and villains really allowed Craig’s Bond to spar with them with depth and genuine emotion.
That exploration continues and grows in No Time To Die. We get to see an ageing, truly world-weary Bond, whose past he appears unable to escape. This leaves him in a state of almost constant angst. Paradoxically though, we also see him truly relaxed at times. In a way I can’t recall ever seeing James Bond in any of his previous cinematic outings.
The issue with that exploration is that a number of characters then have their screen time cut. Moneypenny is reduced to little more than a cameo. And Remi Malek’s Safin is almost secondary as he features in the opening moments as his story is told, but then disappears for what seemed like an eternity. He of course reappears but he almost seems a mild irritation within the plot and merely a conduit to allow us to see the climax of Daniel Craig’s Bond era. It’s a disappointing underuse of a terrific actor. One with a captivating screen presence, who could have been one of the most menacing Bond villains of all time. That said, the influence of his dastardly but highly sophisticated plan is felt by all of the main protagonists. Christoph Waltz’s Blofeld continues to wreak his havoc with malevolent glee from his cell. He again revels in the chaos of his twisted sibling rivalry with Bond.
Lea Seydoux is wonderful again as Dr Madeleine Swann, picking up where she left off in Spectre and giving Bond as good as he gets in every way imaginable.
There are new characters who definitely cut through. Ana De Armas is utterly charming in her relatively brief time on-screen as Paloma, while Lashana Lynch takes no nonsense from Bond as Nomi. She also gives us a potential indicator as to the future direction of the franchise. Which has been the subject of much discussion in all quarters. That debate has even made its way into the political sphere with even Boris Johnson weighing in on what gender the next actor to play 007 should be.
Hans Zimmer’s score is classic Hans Zimmer, adding power and bombast to the usual mix of stunning scenery and brilliantly choreographed stunts. He brilliantly weaves nods to previous entries in the Bond musical tapestry throughout his score. While his cues are always thunderous, they never overpower the action on screen, but do add a sonic rumble that I don’t think has been heard in a Bond score for quite some time. I found Fukunaga’s direction a bit mixed, with some of the cinematography unnecessarily showy. Some of the tracking shots almost gave me motion sickness while some (admittedly beautifully composed) shots of the scenery seemed to have made the edit purely so as whoever the drone operator was could demonstrate their skills.
The film is much too long, although at no point did I check my watch. It’s not that any of the plot points are superfluous, more that the pacing is a little slow in places. Some of the dialogue feels cliched and clunky, making what is a great story feel a tad generic. Which doesn’t do anyone justice. However, there were some excellent jokes, and I laughed out loud several times. You don’t have to be a 007 super fan to get some of the self-referential humour that they seem to enjoy sprinkling throughout the film.
Billie Eilish’s theme song is a worthy addition to the collection and certainly sits comfortably within the top half of the ‘Bond Theme Chart’. It’s definitely more memorable and evocative than Sam Smith’s ‘Writing On The Wall’ for Spectre. Her voice trembles at times as you can almost feel she recognises the significance of singing the theme for Daniel Craig’s final appearance in the franchise.
It was also very pleasing to see that this film has moved with the times and reflects the world of 2021 with its portrayal of women. Every single female character had a genuine purpose and important role within the plot. While of course, the female actors playing those roles are all irrefutably glamorous and attractive. There was genuine respect and no objectification of women.
I came out of the screening with mixed emotions. Glad to be back in the cinema on one hand, sad that Daniel Craig’s stint ordering Martini’s was over on the other. I was pleased that such a good climax had been created to bring this era of Bond to a close, and all its story arcs had been brought to conclusions. I’m also excited and apprehensive in equal measure for the future of such an iconic film series. But I was disappointed with some of the characters not getting the necessary screen-time to truly develop their characters. Surprisingly, I was almost tearful at the final few moments, especially as the credits rolled.
Overall, this is a loving homage to the James Bond series, past and present. It’s a solid if unspectacular film in its own right, but the performances of Daniel Craig and Lea Seydoux, as well as the Bond history it wraps itself in, elevate it beyond that.
It’s not Craig’s best Bond film, as Skyfall is almost untouchable in my opinion, but it does bring closure to his tenure in the tuxedo in a manner that should please Bond fans across the board. It also tantalises us as to what the 6th age of Bond will look like. Let the intense speculation begin!
CULTURE CROSSING SCORE 7/10
Thank you for reading our review of James Bond No Time To Die. Do you agree or disagree with our points or have anything to add? If so, leave us a comment below.
Check out who we think could be the next James Bond and why HERE.
Read IMDB information about No Time To Die HERE.
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